Box CFC Printed Materials Box 3
Contains 74 Results:
Set of twelve puzzle pieces, 1950
The Grasshopper and the Ant
The Lion and the Rat
The Frog that wished to make herself as big as the Ox
Set of 7 'Filet Crochet' magazine pages containing various crocheted items and patterns
Set of eight menu jackets
Set of 2 'Crochet Basics' instructional pages
Set of 3 "Le temps des fables" magazine pages with craft patterns
Costes Dust Jacker, 1950
French Borrowed Feathers dust-jacket, 1934
This "protege-cahier" pictures the jay at a peacocks' ball or court. Like the other dust-jacket sent by Mimi, it has a checkerboard background. The back cover offers the text of La Fontaine's fable under addition and multiplication tables. Mimi mentioned to me that this, along with the accompanying FC dust-jacket, belonged to her mother in 1934. The inside has simple 6" fold-in flaps with more advertising. Like the cover, the advertising here also mentions "Grand' Place, Le Cateau."
French Fox and Crow dust-jacket, 1934
This "protege-cahier" puts a colored image of FC on its cover against a checkerboard background. The back cover offers the text of La Fontaine's fable under addition and multiplication tables. Mimi mentioned to me that this, along with the accompanying BF dust-jacket, belonged to her mother in 1934. The inside has simple 1½" stapled flaps.
Amora French dust-jacket, 1952
Three French dust-jackets, 1940
The title continues "calme la Toux * flatte le Gout" (perhaps "calms the cough, soothes the taste"?) Two marked "Face au Pont Grand Pharmacie. J. Fontaine. Compiegne." Highly colorful cartoons of TH, GA, and TMCM grace the covers of these three dust jackets. The back cover has basic road signs. Inside on the flaps are lists of districts of France.
A.B. Frost Print of Grasshopper and Ant, 1920
This print of GA shows the scene familiar from numerous French prints but offers, rather than a young woman artist and a mother, two men, one warmly dressed and carrying food and drink, the other a musician asking for help.
Fontana Print, 1906
This black-and-white reproduction of Fontana's work comes nowhere near the lovely hand-colored version I have listed under "Engravings." Who knows, however, when it will come in handy?!
Fontana Print, 1906
This black-and-white reproduction of Fontana's work comes nowhere near the lovely hand-colored version I have listed under "Engravings." Who knows, however, when it will come in handy?!
Set of six PT Lily fables prints
"The Fable of the Girl and Her Milk Pail.", 1900
The caption on the back reads, “from a water-colour drawing in the possession of W. Finch, Esq”. The print of the painting offers an unusual view of the girl who spilled her milkpail in three ways. Scenes of this fable usually depict the young woman out in the midst of nature. They seldom include onlookers, like the two children gawking at her predicament. The young woman is usually more disconsolate. Here she seems somehow unexcited over what has happened.
"Aesop's Fables: Forgive Me This Time, I Shall Never Forget It!", 2004
Dog and Wolf from an edition of Charles Bennett's fables, 1870
The colors are excellent, down to golden buckles on the natty dog's shoes. The red-polka-dotted golden scarf of the Wolf is also well rendered here. Painting a Bennett scene brings up some good questions. I have, for example, noticed the hands of both animals for the first time. Might I be noticing them because they are the only flesh-colored items in the picture?
"The Tortoise and the Hare.", 1907
The illustration features an old man apparently tugging a boat of younger men through the ocean. The title of the image implies a moral behind the story depicted in the drawing. The slower fishing boat of the old man has to tow in the speedy sailing boat with its broken mast and several riders. Slow and steady wins again!
Tortoise and Hare Tissage Paper Puzzle, 1900
The Coach and the Fly Menu, 1956
These are not only menu jackets but menus themselves, with a fable text on the back cover and a fable image and title on the front cover. We used one of them – "The Coach and the Fly" – in the Joslyn exhibit because of its clever trompe-l'oeil use of a fly right on the menu itself. I find the images delightful. Lovely pastels work together effectively in these light-hearted pictures. To judge from the splashes on the "dinner and dance" menus, it must have been some party!
The Wolf Become Shepherd, 1956
These are not only menu jackets but menus themselves, with a fable text on the back cover and a fable image and title on the front cover. We used one of them – "The Coach and the Fly" – in the Joslyn exhibit because of its clever trompe-l'oeil use of a fly right on the menu itself. I find the images delightful. Lovely pastels work together effectively in these light-hearted pictures. To judge from the splashes on the "dinner and dance" menus, it must have been some party!